Kihō no Monogatari|
[Most Recent Entries]
Below are the 20 most recent journal entries recorded in
[ << Previous 20 ]
[ << Previous 20 ]
|Saturday, March 3rd, 2018|
|A Wish Askew
So, my obsession this week with Dream Askew
and some discussions about Valence and GM roles in Jennachat inspired me with a Chuubo’s!Dream Askew hack. The basic concept is that character abilities are simplified into high-valence MP-costing moves, ordinary-valence, and negative-valence MP-generating moves. In addition to playing a character, each player also plays a genre and a region of town, having default control over stuff that happens in that region and characters from that region in addition to events fitting with that genre. (Possibly with some motivation to encourage that genre.)
I sorta want to do the region/genre sheets as folded tent cards so that the other players could see the XP actions and properties, but I don’t know how well that’d work in practice.
I think maybe XP and wounds work like in Chuubo’s? Maybe with XP simplified down into one kind of thing? If so there should be emotion XP somewhere on the character sheets.
I do really like this approach in general. It certainly works a lot better for Chuubo’s than any of my previous attempts. A Wish Askew
|Thursday, January 4th, 2018|
|A Ryuutama Playbook
I got Ryuutama for Christmas and it seems really interesting! Much more D&D-y than I'm normally into, but I'm digging the Oregon Trail feel and the whimsy. I haven't gotten to play or anything yet. But in character creation I got frustrated at how non-self-contained things were, so I decided to prototype a PbtA-style-playbook-inspired character sheet. (As is my wont.
(I feel when people think about Apocalypse World/PbtA they often focus on the dice and moves, but honestly I think the playbook encapsulation and the GM direction are crucial as well.)
Anyways, here's what I came up with
. Of course, maybe when I actually play my thoughts will evolve, but I still feel like this works pretty well.
|Wednesday, October 4th, 2017|
So, periodically I have disagreements on the word “narrativist”, so in an effort to overthink games more, I’ve been thinking about how exactly I use it. Well, literally I use it mostly for story-focused tabletop systems and experimental-to-me LARPs.* But when I’ve historically described something as narrativist, I think I’ve been referring to one or more of the following distinct things:
( Collapse )
- Meaningful Choices
- Shared Narrative Control
- Explicit Scene Framing/Narrative Structure
- Focus on Feel and Themes
|Friday, July 7th, 2017|
|On Zen and the Art of Motorcycle Maintenance
I’d had Zen and the Art of Motorcycle Maintenance recommended to me years and years ago, when I really liked Writing Down the Bones. I’m… really not sure at this point why that makes sense. But I'm glad to have read it and have lots of thoughts, some of which I’ll relate here. (Spoilers for a decades-old weird book.)( Collapse )
|Tuesday, May 16th, 2017|
|Monday, May 8th, 2017|
So, I finished Torment: Tides of Numenera. It was good! It was very Planescape: Torment-y, which is exactly what it said on the tin. In the manner of one who spent the whole game comparing, I have some various and sundry thoughts. These… probably end up sounding overly harsh, but it’s really just that it’s easy to nitpick and overthink stuff like this. I’m going to try to avoid major spoilers, but perhaps talk about some late-game stuff obliquely.( Collapse )
|Friday, March 3rd, 2017|
|Monday, September 5th, 2016|
|Librarians Errant: Facts and Knowledge
So, I’m not sure how much of that Truths stuff will actually make it into Librarians at this point; it’s probably a bit general. Here’s some other, more specific stuff I’ve been thinking about since then. (Thanks, Sarah!)( Collapse )
|Thursday, September 1st, 2016|
So, there were a couple of things I was thinking about when I braindumped about Truths
. One was about the role of player secrets, and more generally player knowledge and “metagaming”. Like with basically everything, how you handle secrets in a game depends on what you’re trying to accomplish and your intention.( Collapse )
|Thursday, August 25th, 2016|
|Librarians Errant: Truths and Motes
So, mucking about with my ideas for Librarians Errant
, I've ended up positing a system, working name "Truths", that's heavily influenced by my experience with Chuubo's, WTF, and Dogs in the Vineyard. It's still very much in flux, but here's a basic sketch of part of it… with examples almost completely of no relation to Librarians
( Collapse )
|Sunday, August 21st, 2016|
I'm trying this whole 8tracks thing instead of doing a bunch of links to places, in part so I can have audio for the obscure stuff. It has it's own weirdnesses, but *shrug*.
- Fast Forward by Maximalism
- Rewind by The Paper Raincoat
- Can't Wait by Kate Klim
- I Will Wait by Mumford & Sons
- Nothing Changes by Anais Mitchell Feat. The Haden Triplets
- The Times They Are A-Changin' by Bob Dylan
- Superman by Five for Fighting: I both really like both these songs and like how they work as a pair.
- Kryptonite by 3 Doors Down: I feel like the first version of this song I heard was one of the MIT a capella groups, but I can't find it if so.
- I Wonder Where You've Gone by Girlyman: These two were probably intentional, because they're from the same CD, but they're one of the pairs that gave me this idea so they're staying.
- I Know Where You Are by Girlyman
- Right Here by Amory Sivertson
- Long Distance by Hannah & Maggie
- Walk Away by Amory Sivertson: This playlist, in addition to lots of Girlyman, also has a surprisingly large amount of Amory Sivertson on it. I wonder what she's up to lately.
- Just Stick Around by Nate Borofsky
- Rising by Alba's Edge
- Falling by Wishes and Thieves
- Trees Still Bend by Girlyman: One early concept was more "contrasting parallel structure", hence flowers for trees, but that was too hard.
- Flowers Never Bend with the Rainfall by Simon & Garfunkel
- The Question by Amory Sivertson
- The Answer by Jason Tam/Joe Iconis
- Above the Clouds by electronic orange juice: Hey, OJ!
- Underground by The Orchids
- Deer in the Night by Po' Girl: This pair is more of a parallel structure thing, and also amuses me overly much.
- Moose in the Road by Girlyman
|Wednesday, July 27th, 2016|
|Saturday, July 2nd, 2016|
|Saturday, June 25th, 2016|
|Meaningful Video Games
Playing Undertale made me think about what video/computer games I find particularly meaningful or impactful. So here's an annotated list of questionable interest to anyone else.
- Chrono Trigger: This is my choice for "canonical JRPG". It's noteworthy for a few places that break your assumptions, and time travel is great. (Also, I played it on the Shinkansen from Tōkyō to Ōsaka.)
- Earthbound: Fun, quirky RPG with basic mechanics that are reasonably standard but a lot of straight-presented weirdness that gives it something of a Jenna Moran vibe.
- Mother 3: Takes the stuff that made Earthbound cool and added extra layers of emotion an expectation-subversion. Fun, has impact, has some interpretation possibilities, and fundamentally solid.
- Undertale: Goes without saying. Also, hard to say much about why its great without spoiling things, though it's a progression from/response to games like the above.
- Planescape: Torment: super-cool and elaborate setting and use thereof, excellently done amnesiac-hero-that-learns-their-deal-over-the-course-of-the-game, best integration of philosophy and plot. Glad I eventually jumped through the hoops necessary to play it.
- Persona 4: I must like it, I've written multiple LARPs inspired by it. The divide between the slice-of-life social day world and the monster-fighting night world is cool, though it's a bit on-rails for the relation between the two to reach it's full potential.
- Honorable Mention to Kingdom Hearts: I feel like the metaphysics have lots of potential, but then they just keep introducing new classes of stuff instead of realizing that potential, and the metaphysics doesn't really impact the gameplay much.
- Spider and Web: an excellent story that takes advantage of its medium well and depends on the player being clever and understanding what's going on beneath the surface.
- Counterfeit Monkey: a really fun and zany mechanic of word manipulation that I totally want to put in a LARP sometime.
- Gone Home: the 3D-exploration-based presentation made what might otherwise have seemed like a pretty standard linear story much more impactful and personally-connected, for reasons that are hard for me to full conceptualize. Definitely unique.
- Spelunx: it's hard to imagine a game that's had a bigger impact on me, in terms of being a large part of inspiring me into a life of programming. It's a shame that modern games don't make it so easy to look under the hood and see how the game itself was made.
- Honorable Mention to Spellbreaker and Hitchhiker's Guide to the Galaxy: a lot of the classic Infocom games are really good. Those two are probably the ones I've played with the most conceptually interesting bits.
- Braid: puzzle platformer with great exploration of different ways of doing time manipulation that holds together really well and ties in with the story well.
- Link's Awakening: Link to the Past is probably my favorite Zelda game overall, but Link's Awakening is definitely the most philosophically interesting.
- Ossuary: Most Discordian game ever!
- Honorable Mention to Portal: I liked it a lot, and it's got great characterization. "But it's too mainstream."
|Monday, April 18th, 2016|
|Dice and Interesting Failures
So, thinking about dice in tabletopping while dicelessly HGing Chuubo's has got me thinking about what I like about random dice roles in tabletopping. And I think it mostly comes down to interesting failures.( Collapse )
|Monday, April 4th, 2016|
|Playlist: Spring Phoenix
In response to Zan's Spring Rebirth playlist
. Some of these are just Spring-y and some of them are just wings-y, but it's all good.
- Icarus, Jason Webley
- Uffington Hill, Playing Rapunzel. I found this group… because they were playing at some event I couldn't go to in London? I really like them.
- Seasons, Coyote Grace. Not finding this linkable beyond a snippet.
- めぐる季節 (Turning Seasons), from the Kiki Image Album. Huh, normally I have trouble finding links for Ghibli stuff.
- Phoenix, Antje Duvekot
- Raise Them Higher, Jason Webley
- Gloomy Winter’s Noo Awa’, Alasdair Fraser and Natalie Haas. I like Natalie Haas a lot. Woo cellists!
- Spring Street, Dar Williams
- The Great Thaw (Vuelie Reprise), from Frozen. Obligatory fanpersonness.
- Little Wings, Kris Delmhorst. This is a bit of a different version.
- Spring Winds, Trio Globo
- Phoenix Lights (Live), Jennah Bell. Yeah, it's actually about Phoenix, Arizona, and like aliens. I still like it, though.
- Act 2 - Lady Of Spring, Joe Hisaishi
- Try Again, Detour Unplugged. Who I guess is now going by Kendall Ramseur. This version is way more dramatic than the one I have (from a physical CD I got when he was playing in the Kendall T stop. I remember, actually, he was playing on the other side of the tracks, so I went out and crossed over so I could buy a CD, and then it was annoying because the T barrier wouldn't let me re-enter the outbound side again on the same pass because it hadn't timed out yet.)
- Run to Fly, Alba's Edge
- Thing With Feathers, Mouths of Babes
- Song for the Spring, Maximalism
- Now Take Flight, Coyote Grace
- Linnet's flight, Besides
|Friday, April 1st, 2016|
|A Chuubo's Playbook
So, I talk up Apocalypse World a lot. One thing I like about it is that all the stuff that's specific to a character fits on a single sheet of paper. Not just your stats and stuff, but the definitions of all the special moves/key stuff you have, and the ones you could get by leveling up. Apocalypse World does this by having well-defined character types and having concise, focused moves and mechanics.( Collapse )
|Wednesday, March 30th, 2016|
Fanfic. Inspired by OJ's Beyond the Wall game concept.
“You are a slave, Neo. You, like everyone else, was born into bondage… kept inside a prison of smell, of taste, of touch.” Morpheus leans back in his worn leather chair. He smiles. His eyes are a night of falling stars.
“The Lie is everywhere, it's all around us, here even in this room. You can see it out over the lake, or looking up at the sun. You feel it when you go to work, or go to a shrine, or buy steamed buns. It is the world that has been pulled over your eyes to blind you from the True Thing.”
“What True Thing?” Neo looks uncertain. The wind rattles a pane of glass.
“Unfortunately, no one can be told what the True Thing is. You have to see it for yourself.”
Morpheus gives Neo two pills.•
Neo falls through the static and the storms. The world around him breaks into fragments of violet and gold. He feels himself torn apart, torn from his dreams, his curiosity.
And then he lands, and he sees bleak and lightless gates, and beyond them ancient walls and towers made from stone and brass. The sky is sunless and alive with stars.
And Morpheus is there, leading a pale horse. "Welcome to the Bleak Academy, Neo. Here is the True Thing, beyond perception."
Neo follows him through the gate.